Showing posts with label creative. Show all posts
Showing posts with label creative. Show all posts

Tuesday, June 3, 2008

Squeeze a few fruit


I was listening to the radio the other day and the story was about giant American food stores entering the Australian market. To get the predictable ‘I think it’s outrageous’ comment, they contacted a local fruit and vege shop owner called Nick Mashadis.

To everyone’s surprise Nick thought the arrival of mega food barns would be a good thing. Far from being negative about the idea he thought it would be great for his business and shoppers over all.

The reason? Simple choice.

Nick reasoned that shoppers would try the new places then try his stores and make up their own minds. He was confident that he had what people wanted: quality product, product tailored to local needs and preferences, and outstanding service. He even believed he could compete on price, as his rental overheads were so much lower.

This little surprise story reminded me of the choice facing marketers when they need advertising help. Currently most FMCG clients have ‘an agency’. They have been encouraged since advertising began to make a lifelong attachment to a big agency. (I once met a very senior marketer who was conducting her first and probably only agency pitch)

The theory is of course that the agency is a consistent ‘brand expert’. This idea had some merit 20 years ago, when agency staff stayed put for longer than 18 months, and when the client had a lot less involvement in marketing communications.

But today the argument is a little hollow and starts to smack of a simple (and understandable) need to hang on to business at all costs. ‘We’ve always done it this way’ is no longer an excuse in the public service. It should never be an excuse in the world of advertising.

Large agencies need the ‘wedded for life’, or as ‘long as possible’, model to perpetuate. New ideas and models are mercilessly derided by an industry that ironically prides itself on creativity. Mark Buckman, Marketing Director of the Commonwealth Bank, broke with tradition by going offshore for creative. He used a US ad agency for the ‘Brand‘ part of the Comm Bank business. The Ad Industry’s reaction was predictably shrill and obviously self-serving. I wrote a letter to AdNews congratulating Mark on his ‘creativity’.

I’m not saying trash the system if you’re happy and it works for you. But out of the hundreds of marketers I’ve talked to over the years I can remember one, that’s right one, who was 100% happy with his agency’s creative, service and price.

I know that Head Office usually prefers/demands the same agency worldwide. Again if this works well - great. All I’m saying is that there is always choice available, even within a contracted relationship.

The most obvious example is the booming ‘branded format advertising’ phenomenon. Big marketers with rusted on agencies have managed to separate a tactical/short term strategy and use it successfully.

Other examples include quite large marketing companies briefing one-off ‘tactical’ projects out to smaller creative agencies. This usually starts as a simple cost saving measure. But clients are often surprised by the quality and service they also receive.

Project work has many other benefits to the marketer. It gives the opportunity to sample other ways of doing things and of meeting other creatives and suppliers. And just as importantly, working with other companies allows you to build up a ‘feel’ for what things really cost.

Most marketers have no idea of the enormous depth of creative firepower available to them. And why would they? Your average client might have heard of 10 agencies, because that’s all they read about in the trade press.

But did you know B&T lists 794 Australian companies who call themselves Advertising Agencies? Even if half are kidding themselves, that’s still a lot to choose from.

So go on, take Nick the fruiterer’s advice. Try a few shops and squeeze a few fruit. You might be pleasantly surprised.

Thursday, February 14, 2008

The Beat



I’ve just seen some little primary school kids play in a rock band. The full thing – singers, lead guitar, rhythm guitar, bass, drums. Great fun. They all played very well. Well there was one small exception. The drummer. He held the beat OK for a while then tried a few tricky moves. This lost his place a bit and he would suddenly be out of time. There is nothing more noticeable than a drummer in a rock band who is out of time. There’s nowhere to hide. A drummer’s job is to keep the beat. If he or she doesn’t the whole performance falls apart.

I’m sure I’ve mentioned previously, the line, “It has to be right before it can be clever.” My little drummer mate lost track of being right (keeping the beat) in an effort to be clever (doing a few tricky solos).

Sounds like a lot of advertising that’s around at the moment.

Examples please? OK.

1. Nando’s pole dancing, patch wearing mother of two. What the? I really wanted to like it but I couldn’t even get it. I watched it over and over but still nothing.

Visit the strip club here.

2. Mars Bar meets John McEnroe. He gets angry, eats a Mars bar, and then wins. Here, clever cutting and editing don’t make up for a non-existent idea. Why a Mars bar? Why not a slice of Pizza, a new shirt or a read of a magazine? I really don’t understand how the Mars Bar has helped him. Also, does anyone under 45 know who he is?

Check it out here.

3. The creepy Heinz ad where a middle-aged man meets his childhood sweetheart … only she’s had a sex change. Didn’t see that coming. In the words of Pauline Hansen, ‘Please Explain?’ Gender re-assignment? Beans? Have I missed something?

Australia's only trans-gender baked bean ad

After viewing this lot I feel a bit thick. I’m sure other consumers do too. Did the marketers really want to come across as elitist smart-alecs who are superior to their consumers? I doubt it.

Don’t get me wrong. I’m all for having a go at being funny and entertaining. There should be more of it. But not at the expense of the message or the marketer’s production and media budget.

So next time the creative team are getting all clever, stop and ask, ‘are we keeping the beat or are we doing a little solo while the rest of the band falls apart?’